Sunday, July 12, 2026

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Peter Paul Rubens
Portrait of a Young Man
ca. 1613-15
oil on panel
Clark Art Institute, Williamstown, Massachusetts


Paulus van Somer I
Portrait of a Young Woman
ca. 1620
oil on panel
Denver Art Museum

Sassoferrato (Giovanni Battista Salvi)
Portrait of a Boy
ca. 1650
oil on copper
Clark Art Institute, Williamstown, Massachusetts

Hyacinthe Rigaud
Portrait of the Marquise d'Usson de Bonnac
1707
oil on canvas
Nelson-Atkins Museum of Art, Kansas City, Missouri

Henri Rousseau
Girl with Doll
ca. 1892
oil on canvas
Musée de l'Orangerie, Paris

Edward Steichen
Cyclamen: Mrs. Philip Lydig (Rita de Acosta)
ca. 1905
carbon print
Metropolitan Museum of Art, New York

Joseph Simpson
Portrait of Field Marshal Roberts
ca. 1910
watercolor and ink on paper
Ashmolean Museum, Oxford

Alfred Stieglitz
Ellen Koeniger, Lake George
1916
gelatin silver print
Museum of Modern Art, New York

Konstantin Somov
Lady with a Dog
1928
gouache on paper
Ashmolean Museum, Oxford

August Sander
Schoolteacher
1928
gelatin silver print
San Francisco Museum of Modern Art

Rosalind Solomon
William Eggleston - Memphis, Tennessee
1977
gelatin silver print
National Gallery of Art, Washington DC

Akiyoshi Taniguchi
Two Priests in the Car, Los Angeles
1986
inkjet print
San Francisco Museum of Modern Art

David Robbins
Jenny Holzer
1986
gelatin silver print
National Gallery of Art, Washington DC

Thomas Ruff
Portrait (R. Eisch)
1999
C-print
Buffalo AKG Art Museum, New York

Leo Rubinfien
Calle de Serrano, Madrid
2004
inkjet print
National Gallery of Art, Washington DC

Lucas Samaras
Cindy Sherman
2010
inkjet print
National Gallery of Art, Washington DC

Julian Schnabel
Portrait of arts patron Agnes Gund
2021
oil paint, auto-body filler and broken plates on panel
Museum of Modern Art, New York

from Statement

    One charms by thickness of wrist; one by variety of positions; one has a beautiful skin, one a fascinating smell.  One has prominent eyes, is bold at accosting.  One has water sense; he can dive like a swallow without using his hands.  One is obeyed by dogs, one can bring down snipe on the wing.  One can do cart wheels before theatre queues; one can slip through a narrow ring.  One with a violin can conjure up images of running water; one is skilful at improvising a fugue; the bowel tremors at the pedal-entry.  One amuses by pursing his lips; or can imitate the neigh of a randy stallion.  One casts metal in black sand; one wipes the eccentrics of a great engine with cotton waste.  One jumps out of windows for profit.    

– W.H. Auden, The Orators (1931)